back with another ssg special, this time from a good friend of ours: finn johannsen. for my mind, finn is one of the most important voices in electronic music right now. finn is truly a renaissance man, expertly juggling a number of different roles. he is a music journalist, regularly contributing excellent, thoughtful pieces for a range of sources, including RA. he is also one of the people behind macro recordings, a consistently challenging and worthwhile label. and he is just quietly a really fantastic DJ, consistently demonstrating a remarkable breadth and depth in his sets. i must admit, i tend to prefer DJs that pick a constant groove / sound and really pursue it in a set. normally a DJ like finn i would struggle with, as he covers a lot of ground and his sets can be quite diverse, even unsettling at a times (this is not necessarily a bad thing). finn manages, however, to consistently weave a coherent story and narrative in his DJ'ing. and as an added bonus, you normally learn a bit along the way, discovering gems old and new.
i genuinely believe finn is one of the most interesting and worthwhile DJs about right now, so i am very glad he was able to put together these two mixes for us. and because he is an able scribe, finn was able to tell us a bit about the mixes:
"I have DJ'd for a long time now, since the mid 80's, and all the music that went through my head since then is still part of what I do now. I often play sets with obscure Disco, Synthop and Post Punk records, I often get asked to dig into my archive for some house and techno rarities. When I do nights representing Macro I tend to combine older records I think have stood the test of time with new records that I think might will. Thus the mixes reflect some personal favourites I still carry around, and some current music that impressed me. I have the reputation of being somewhat unpredictable as a DJ, which is not really something I actively support, it more comes out of the fact that I do not want to focus myself on a particular style when there is so much other interesting music that would be left out in the process (and I also think that individuality is important). I'm just interested in a wide variety of sounds, and I see music as chronological process, where it is challenging to connect different eras and sounds to illustrate where what came from, and where it led or might lead to. It is some kind of referential system both informed by being close to the subject for a long time, and my very own perspective. I'm often drawn to producers that follow their own path (to the verge of being eccentric), and I included some here, plus some records that add up to a certain mood I had in mind (it was a rainy night I recorded both mixes, and it probably shows). Of course these are home recordings, but they were done in one take with no subsequent editing and so they are pretty close to what I do in a club context. At least if I would play the same set twice, which I rarely ever do. As the mixes where recorded one after another, you may as well listen to them that way. That I concluded the sets with a disco edit is a bit odd, as I much prefer to play original versions, but this one is special to me. I played it at our first Macro night at Panoramabar, I had the last shift of our lineup until noon, and I was slowly running out of steam. When the lyrics set in I was quite surprised that the floor went absolutely nuts, and at first I didn't really understand why the reaction was so immense. Then I realised that the bar stuff had opened the seminal shutters, it was broad daylight, and here was Loleatta Holloway singing "We're getting stronger, the longer, we stay together", to a crowd that was obviously very determined to do just that. A really impressive and lasting moment that showed me once again how powerful music can be. And it is well worth taking some risks to achieve that, even if does not always work. Well, I hope these sets work."
finn johannsen - ssg special mx1
Rydims – Rydim#2 (Version) (Nu Groove)
Mike Shannon Feat. Fadila – Under The Radar (Ricardo Villalobos Mix) (Cynosure)
Soylent Green – Low Pt. 1 (Playhouse)
The Prince Of Dance Music – E-3, E-6, Roll On (City Limits)
Badawi – Dstry
Prfts (Shackleton Remix) (Cargo Records)
Hertsi – Oodi Sähkölle (Sähkö)
Da Sampla – The Rider (Moods & Grooves)
Wax – 30003 B (Wax)
DJ Duke – Escape From New York B2 (Power Music)
Never On Sunday – Urban Rains (430 West)
Laurent X – Drowning In A Sea Of House (House Nation)
Keith Tucker – It’s A Mood (Seventh Sign)
Dettmann – Vertigo (Vincent Kunth Remix) (Ostgut Ton)
Nature Boy – The Major Enemy (Black Label)
4th Measure Men – The Need (Henry Street Dreams Mix) (Multiply)
Foremost Poets – Reasons To Be Dismal? (Instrumental Version) (Not On Label)
Buzzin Cuzzins Feat. Romanthony – Let Me Show You Love (Approach To Temple) (Azuli)
Raudive – Sienna (Macro)
Instra:mental – Let’s Talk (Naked Lunch)
finn johannsen - ssg special mx2
FCL – Let’s Go Seven (We Play House)
Ramadanman – Glut (Hemlock)
Scuba – You Got Me (Hotflush)
To Rococco Rot – Fridays (Shackleton’s West Green Rd Remix) (Domino)
Monolake – Alaska (Substance Remix II) (Monolake / Imbalance Computer Music)
Low Res – Amuck (Sublime)
Oni Ayhun – OAR004A (Oni Ayhun)
Julia Decay – Untoward (Scandinavia)
Rhythim Is Rhythim – Kaos (Juice Bar Mix) (Transmat)
DJ Bone – No Sleep (True To Da Roots) (Sect)
Mr. G – Life (One Dark Late Saturday) (Moods & Grooves)
The Oliverwho Factory – Rain 5th Wave (Madd Chaise Inc.)
Moodymann – Analog:Live (KDJ)
Grand High Priest – Mary Mary (We-Ze Records)
Shake – Psychotic Tango (Frictional)
Spencer Kincy – Don’t Stop (Cajual)
The Closer – Strong Meets The Weak (KMS)
Bim Marx – Stronger (Stilove4music)
if you want to catch finn spin, he is regularly playing around berlin and other parts of europe. check
his RA page for upcoming gigs. you can find out more info through his
homepage,
myspace, and
macro recordings.
that's it. big thanks to finn for making these. in the coming weeks we've got new ssg specials from kevin gorman and october. plenty to look forward to. for now, enjoy these two treats.
"The two main fields of parapsychological research are Psychokinesis, the ability of the mind to influence objects without involvement of currently known physical energies and without physical contact between the acting subject and the reacting object (for example telekinesis and psychic healing) and Extrasensory Perception (ESP), the ability to acquire information by (psychic) sources currently unexplained by science (best known examples are clairvoyance, precognition and telepathy)."
